He received his first football at the age of four from his father. He was a ball manufacturer and youth trainer. At the age of five, he won his first trophy with the “G Juniors”. At the age of nine, he came to the attention of the DFB. He received his first professional contract at the age of 13. In those years he trained at least eight hours a day. Franz Beckenbauer described him as the greatest footballer of his generation. In an interview he complained: “Everything was always imposed on me: What I should play, where I should perform, what I should say in interviews and not say. From the end of May 2008 until April 2010 he was entered in the Guinness Book of Records as the fastest footballer in the world. …
Oh yes – if David Garrett hadn’t found a violin at kindergarten age, but a football under his Christmas tree, then his Wikipedia entry would be something like this. But it wasn’t. There was a violin. And so he didn’t appear in the Guinness Book as the fastest soccer player but as the fastest violinist in the world:
“At a performance in the British television show Blue Peter, Garrett played Rimsky-Korsakov‘s Flight of the Bumblebee flawlessly in just 66.56 seconds, that’s 13 notes per second. He beat his own record on 20 December 2008 at the Guinness World Records Show by 1.3 seconds with a time of 65.26 seconds.”
Do you have to play that fast? Does the first person to arrive first win the concert? Is that where the term “first violin” comes from? In any case, you are loved by the audience – and torn to pieces by many critics. In any case, you polarize. And in any case you shouldn’t be surprised when the F.A.Z. writes about you: “David Garrett is the Jörg Pilawa of classical music” (F.A.Z. of 20.11.2011).
On the other hand, he has sold more than three million records so far, on vinyl and on these little silver discs that cannot be played on any Clearaudio turntable. He has also made three dozen golden and platinum records (they can’t be played either …). And unlike Pilawa, Garrett is really a genius. He played the devil violinist Paganini not only successfully in the movie, but also perfectly on the fiddle.
David Garrett – The Violin Rebel Plays Virtuoso
David Garrett is considered a violin rebel. Because he does crossover, sometimes classical, sometimes pop. And because classical music always sounds a bit like pop to him. And vice versa. You don’t have to like that. But you have to hear it. Because you should take him seriously. The man is not just a brilliant craftsman – nobody denies him virtuosity, not even an F.A.Z. columnist. He is not playing for his audience, he fights against the music. In a team with his Stradivari. And most of the time, the guy wins on the violin. He is the Mbappe of the concert halls.
An absolutely typical Garrett record is Virtuoso from 2011. He got three golden records for Virtuoso. And he plays his way through typical arrangements of “great” classical and popular songs: the bumblebees of Rimsky-Korsakov are flying, Bizet’s Carmen is dancing and Pachelbel is replicating the canon. And “somewhere” Leonard Bernstein is playing. At least if you slow down the speed of the turntable a little.
The recording quality is just as great as the press quality. Kevin Bacon and Jonathan Quarmby mixed the record in summer 2006 at the London RAK studio. Quarmby is a quite successful pop producer. Most recently, he produced Leo Stannard’s “Gravity” and helped birth a highly successful Spotify newcomer. By the way, he also blogs at https://www.jonathanquarmby.com/.
And what exactly is on Virtuoso? This one:
“La Califfa” (Ennio Morricone) – 2:46
“Carmen Fantasie” (Georges Bizet) featuring Paco Peña, guitar – 4:15
“Nothing Else Matters” (Metallica) – 3:32pm
“Csardas Gypsy Dance” (Vittorio Monti) – 3:27
“Duelling Banjos” (from the film Deliverance) – 2:11
“Pachelbel’s Canon” – 3:16
“Paganini Rhapsody (on Caprice 24) – 4:08
“Somewhere (from Leonard Bernstein’s musical West Side Story) – 3:01
“The Flight of the Bumble Bee” (Nikolai Rimsky-Korsakov) – 1:20
“Serenade” (David Garrett, Franck van der Heijden) – 3:38
“Toccata” (David Garrett, Franck van der Heijden) – 3:50
“You Raise Me Up” (Brendan Graham, Rolf Løvland) – 4:15
“Eliza’s Song” (David Garrett, Franck van der Heijden) – 2:59
You can listen to it in the Clearaudio Shop. And if you want to read the score while playing the record, you can reduce the speed on your Clearaudio turntable a little bit.
cover photo: seeyou c. steps / stock.adobe.com